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Be Oblivion, in Disconnect
© » KADIST

Natasha Wheat

Installation (Installation)

Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change. Be Oblivion, in Disconnect (2011) is a sculpture and an intervention. Two cardboard boxes house white neon letters that collectively have the potential to spell “Be Oblivion.” The dismembered phrase is rendered powerless in its present state; the potential power lies with the viewer, who could conceivably reconstruct it.

Kerosene Triptych
© » KADIST

Natasha Wheat

Drawing & Print (Drawing & Print)

Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive. The original photographs were taken by anonymous photographers, not as art but as documents of the building of the Panama Canal. The laborers in the images are holding cans of kerosene and spraying it into the foliage.

Soft Materials
© » KADIST

Daria Martin

Film & Video (Film & Video)

Soft Materials is a curious, touching but also disturbing sequence of confrontations between two people: a man and a woman, and machines. Shot in the Artificial Intelligence Laboratory at the University of Zurich, the humans and the machines mirror each other’s actions. It is unclear which party takes the lead.

1 Character & 7 Materials
© » KADIST

Tao Hui

Film & Video (Film & Video)

For 7 Materials , Tao Hui films seven scenes selected from the countless scenarios in his notebooks, including a group of ethnic minority girls in a spoil pit in the rain, a reporter interviewing a corpse, and a deity sailing on the river. Due to the lack of internal logical order, these one-minute video “materials” are not played in a fixed sequence but randomly. For Tao Hui, to film his diary is to adorn and embellish his memories before evoking and reviving their spirits.

Constituent
© » KADIST

Cameron Rowland

Installation (Installation)

Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution. Who controls the services that contemporary citizens take for granted—like power, water, heat? Who makes these objects that deliver these services?

Work On Felt (Variation 2) and (Variation 11) Black
© » KADIST

Naama Tsabar

Sculpture (Sculpture)

Naama Tsabar’s sculptural works are developed serially. The series Work on Felt references the history of post-minimal sculpture: from Robert Morris to Joseph Beuys’s social sculptures. However one can equally relate her work to 1970s conceptual performers such as Terry Fox or Paul Kos.

White Discharge (Built-up Objects #38)
© » KADIST

Teppei Kaneuji

Sculpture (Sculpture)

In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing. White Discharge (Built-Up Objects #38) (2014) appears playful, like a lost landscape from a whimsical Dr. Seuss story awaiting a charmingly wacky inhabitant. But in drawing its source materials from prefabricated and mass-produced objects, Kaneuji’s work also suggests more trenchant anxieties consumer culture and the rapid and wasteful accumulation that becomes “built-up” in all of our lives.

There is no there
© » KADIST

Gabriella and Silvana Mangano

Film & Video (Film & Video)

There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance. The work is inspired by the Blue Blouse, a political propaganda theater movement which spread across the Soviet Union in the mid-1920s. More specifically, the work takes the form of ‘Living Newspapers’, which were performances based on topical news events.

On Fire
© » KADIST

Runo Lagomarsino

Drawing & Print (Drawing & Print)

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages. The work’s connection to Amazon deforestation is difficult to ignore. Yet still, it also engages in broader issues about the country’s fractures, such as the 2018 fire at Rio de Janeiro’s National Museum and the ongoing erasure of its past.

Studio Construct 51
© » KADIST

Barbara Kasten

Photography (Photography)

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces.

On Guard
© » KADIST

Jeamin Cha

Film & Video (Film & Video)

In On Guard by Jeamin Cha, a security guard receives safety training, juxtaposed against his patrol of an empty building as he tries to give care instructions for his ailing mother over the phone. The film dismantles the binary oppositions between “caring” and “guarding,” two actions that parallel one another in their emphasis on attentiveness without a logical conclusion. Cha’s exploration of the relationship between these two focuses is channeled through nocturnal urban space, drawing attention to the labor that each requires.

Swipe
© » KADIST

Eileen Quinlan

Photography (Photography)

Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium.

Defunct Mnemonics
© » KADIST

Peter Robinson

Sculpture (Sculpture)

Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic. Resembling large pick-up-sticks, the complete work is comprised of 126 vertical sculptures wrapped in fabric with alternately monochromatic and graphically patterned dyes and prints. Leaning against a wall and arranged side-by-side, they could be mistaken as highly decorated mallets for use in an undetermined ritual or game.

Blood Sugar
© » KADIST

Cheryl Donegan

Film & Video (Film & Video)

Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy. As suggested by the work’s title, Cheryl Donegan uses the body as a metaphor, relating the continuous cycle and recycle of images that characterizes consumer fashion culture to the flow of sugar in our blood. Formally, the work borrows strategies from conceptual art, and specifically video art from the 1960s and 1970s—such as the use of repetition, patterns, found materials, and a DIY, low-tech aesthetic—and combines it with contemporary cultural forms, in this case, the world of fashion.

Holes in White and Holes in Cream with Front Light on Left
© » KADIST

David Haxton

Photography (Photography)

In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter. As inferred from the title—and the titles of most of his work—Haxton has a methodical, near-scientific approach to studying and documenting the effects of light. In Holes in White and Holes in Cream with?

Há Terra!
© » KADIST

Ana Vaz

Film & Video (Film & Video)

Há Terra! (There Is Land!) is a short film by Ana Vaz that picks up on the artist’s previous film A Idade da Pedra (2013), in which Vaz imagined premodernity in her native Brazil.

RDP #98: JAS 17.4.16.17.03
© » KADIST

Jeffrey Alan Scudder

NFT (NFT)

Radical Digital Paintings is a collection of 239 works that were painted from 2016–2021; one exemplary image from the series is #98 . This painting was made after Scudder did the first ever Radical Digital Painting show, a hybrid performance/painting/lecture that brings together his painterly and pedagogical interests. In Scudder’s work, it is often difficult to pick apart what is a painterly effect versus an artefact of a lens-based or computational process.

Untitled: Furniture Island No. 3
© » KADIST

Matthew Darbyshire

Installation (Installation)

Matthew Darbyshire has made several Furniture Islands, all of which employ different objects and different color values. Furniture Island No 3 looks like a shop display tastefully arranged in complementary colours. Darbyshire’s use of colour is like that of a designer or a painter.

Flesh in Stone - Ghost No.1
© » KADIST

Yu Ji

Sculpture (Sculpture)

Flesh in Stone – Ghost No. 1 is a stunning series of cement made body parts in various scales and movements, along with components such as iron and plaster molds to emphasize their tension. The “incompleteness” of Flesh in Stone weakens the figurative image itself, thus shifting the viewer’s focus onto the relationship between the rough material and the ideal rounded body shapes.

Agony of the New Bed
© » KADIST

Sheelasha Rajbhandari

Installation (Installation)

Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage. Part of the artist’s series Marriage Taboos , these portraits of women from different age groups in Nepal are staged on cotton mattresses placed on miniature golden matrimonial beds. The embroidered text on top of the portraits in golden threads are a representation of the range of vulnerable and resilient emotions experienced by women and the social beliefs towards them.

Terminal 3
© » KADIST

He Xiangyu

Film & Video (Film & Video)

He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China. Acrobatics, which had a rich history as a court display in imperial China, is now integral to the cultural industries and tourism sector in Wuqiao, continuing a legacy of expending bodies for monetary gain. From 2016 to 2019, He intermittently went to Wuqiao Acrobatics School in Hebei Province to record the daily lives of the students who study a variety of acrobatic skills during their year-long program.

Subterranean Doomsday Vendor
© » KADIST

Christoph Draeger

Film & Video (Film & Video)

In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors. His contribution lies in dissemination of prophecy as he tests the public’s reactions to the types of content and media which can be circulated in such common spaces.

Transaction/Evacuation
© » KADIST

Khadim Ali & Sher Ali

Drawing & Print (Drawing & Print)

Transaction/Evacuation is a collaborative painting by Khadim Ali and Sher Ali, and is part of a larger collaborative body of works by the artists, which share the same title. Like Khadim Ali, Sher Ali is also part of the Hazara people, and experienced massive personal and social trauma early in life, losing his parents at the age of ten and witnessing the devastation of the Afghan Civil War in his native Kabul. The horned figure in the foreground represents Rustam, a legendary hero in Iranian mythology and central character in the Shahnameh, who depicted here by the artists as a potbellied demon, stripped away of its heroism.

One Thousand and One Attempts To Be an Ocean
© » KADIST

Yuyan Wang

Film & Video (Film & Video)

One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception. Made up of micro-events from ‘satisfying videos’ that swarm on the internet, the abstract narrative unfolds through layers of appropriation; referencing trance and minimal music in the process. The work addresses a desire for groundless waves, blended with today’s inexorable entropy of information societies.

thanks for staying alive Fern.1994
© » KADIST

rafa esparza

Painting (Painting)

thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s. The work is based on the popularity of mid-90s era Star Shots photographs, which usually featured graphic backgrounds and highly glamorized subjects wearing heavy makeup, matching outfits, perfectly coiffed hair, and dramatic expressions. In Los Angeles, esparza remembers many Black and Brown youths going to the mall (where many Star Shots photo studios were located) to circulate the photos with personal messages written on the back.

Mickey Mouse
© » KADIST

Paul McCarthy

Drawing & Print (Drawing & Print)

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle.

Flower Tree
© » KADIST

Choi Jeong-Hwa

Sculpture (Sculpture)

The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle. And though his works share a similar sensibility to Claes Oldenburg’s oversized sculptures from everyday objects, Choi draws from his immediate surroundings and life experience. Public sculptures with a flower theme are often used to decorate the rapidly urbanized cities in Asia, which are constructed with concrete and steel materials.

quadroquadro (círculo)
© » KADIST

Renata Lucas

Sculpture (Sculpture)

Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass. A simple composition—a black circle inscribed on white paper, encased in a rectangular frame—is interrupted in Lucas’s work, the continuous geometry of the nested forms segmented into four broken shards. Pieced back together, these fragments comprise a whole, but it is a unity shattered, unsteadied.

Walking on the roof of hell
© » KADIST

Birender Kumar Yadav

Installation (Installation)

Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana. The forests were felled and immigrants from northern Bihar and South India were brought to exploit the mineral resources. The Indigenous people were then dispersed to live nomadically, engaging themselves as seasonal workers in farms and industries.

Gozo Yoshimasu

Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...

Daniela Ortiz

In order to reveal and critique hegemonic structures of power, Daniela Ortiz constructs visual narratives that examine concepts such as nationality, racialization, and social class...

Paul Kos

Natasha Wheat

David Haxton

Although trained as a painter, David Haxton is known for his exploration of light through the mediums of photography and film...

Diane Severin Nguyen

Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...

Lotus Laurie Kang

Lotus Laurie Kang works with sculpture, photography, and site-responsive installation...

Martin Kippenberger

Khadim Ali & Sher Ali

Khadim Ali was born in Quetta, Pakistan, after his family fled their home in Afghanistan to escape persecution from the Taliban...

Alicia Henry

Alicia Henry creates work that departs from Western ideas of portraiture, which denote a likeness or a construction of a subject...

Cian Dayrit

Cian Dayrit is a Filipino multimedia artist...

Tao Hui

Tao Hui indeed believes that fairy tales can ease people’s intensive mind...

Maryam Hoseini

Maryam Hoseini makes delicate, figurative paintings to investigate the political, social, and personal conditions of identity and gender...

Yuyan Wang

Yuyan Wang is a filmmaker and multidisciplinary artist whose work examines images at the point of production and the atmosphere cultivated by media regimes within the attention economy...

Christoph Draeger

Swiss artist Christoph Draeger lives and works between Vienna and NY...

John Houck

Cameron Rowland

Cameron Rowland bases his practice on re-contextualizing everyday objects in ways to highlight the economic and political forces that influence our immediate surroundings, exposing dynamics that are often overlooked, hiding in plain sight...

He Xiangyu

Having grown up in China during a period of rapid urbanization and social change, He Xiangyu is especially attentive to the mutability of things and environments...

Yu Ji

Yu Ji is a precise artist with multiple preoccupations, references, and interests; she comes from a long tradition of erudite, polymath approaches to art making...

Michael Craig-Martin

Michael Craig-Martin studied fine art at Yale University returning to Europe in the mid-1960s and becoming one of the key figures in the first generation of British conceptual artists...

Yael Bartana

Cheryl Donegan

Cheryl Doneg an is best known for her performance and video work s that deal primarily with id eas of sex, gender , and the ways in which the female body is represented both in art and more broadly across popular culture...

Shimpei Takeda

Born in 1982 in Fukushima, Shimpei Takeda grew up in Chiba just outside Tokyo...

Paul McCarthy

James Collins

James Collins works with acrylic and oil to create the illusion of dimensionality in highly graphic paintings...

Vaclav Pozarek

Growing up in Czechoslovakia, Vaclav Pozarek experienced political aggression, spying and ludicrous impediments...

Eileen Quinlan

Eileen Quinlan makes photographic images through unusual processes, stripping the medium down to its essentials, and working experimentally with light, lenses, chemicals, reflections, and shadows...

Valeska Soares

Sarah Navqi

Sarah Naqvi works with art-focused activism and material realities...

Matthew Darbyshire

Matthew Darbyshire is interested in the non-specificity of today’s design language...

© » LENS SCRATCH

about 3 months ago (02/12/2024)

Focus on Aging: Beate Sass: I Belong to You and You to Me - LENSCRATCH Fine Art Photography Daily Subscribe / Contact / About Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Focus on Aging: Beate Sass: I Belong to You and You to Me by Ruth Steinberg February 12, 2024 ©Beate Sass, Dad at Water Aerobics, from: I Belong to You and You to Me Introduction to Aging Series I met Aline Smithson at a portfolio review in the fall of 2023 when I showed her my project about my father...

© » TRIBLIVE

about 3 months ago (02/12/2024)

Less is more? Consumers have fewer choices as brands prune their offerings to focus on best sellers | TribLIVE.com Business Less is more? Consumers have fewer choices as brands prune their offerings to focus on best sellers Associated Press Monday, Feb...

© » THE ARTBLOG

about 3 months ago (01/31/2024)

Artblog | ‘(re)FOCUS, Then and Now,’ Big Differences, and The Future Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact ‘(re)FOCUS, Then and Now,’ Big Differences, and The Future By Katie Dillon Low January 31, 2024 Katie Dillon Low writes a terrific piece on the "(re)FOCUS: Now" exhibit, one of two exhibits at the Galleries at Moore College of Art and Design; the other is "(re)FOCUS: Then" (with artists from the original 1974 exhibit)....

© » THE ARTBLOG

about 3 months ago (01/25/2024)

Artblog | Talking with Diane Burko and Judy Brodsky about FOCUS (1974) and (re)FOCUS (2024), two major women’s art festivals Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Talking with Diane Burko and Judy Brodsky about FOCUS (1974) and (re)FOCUS (2024), two major women’s art festivals By Susan Isaacs January 24, 2024 Susan Isaacs's interview with the two founders of the FOCUS festival, staged in Philadelphia in 1974 provides insights into the origins and significance of (re)FOCUS 2024, a celebration marking 50 years of women in the visual arts....

© » FRANCE24

about 4 months ago (01/16/2024)

Japan's Otokonoko cross-dressing culture challenges gender norms - Focus Skip to main content Japan's Otokonoko cross-dressing culture challenges gender norms Issued on: 16/01/2024 - 12:56 Modified: 16/01/2024 - 12:59 05:17 FOCUS © FRANCE 24 By: Yena LEE Follow | Alexis BREGERE | Melodie SFORZA | Yuko SANO Today’s Focus report takes us to Japan where we take a deep dive into the Otokonoko subculture...

© » AESTHETICA

about 5 months ago (12/18/2023)

Aesthetica Magazine - Mixed-Media in Focus: 5 Group Exhibitions for 2024 Mixed-Media in Focus: 5 Group Exhibitions for 2024 Textiles...

© » WHITEHOT

about 5 months ago (12/18/2023)

Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery By CLARE GEMIMA December 13, 2023 The intellectual landscape of sculptures and drawings in Whitney Oldenburg's latest exhibition, Ticket to Paradise (notably the work in the show entitled Feeding Frenzy), scrutinizes the intricate dynamics between protection and waste in the context of contemporary consumption...

© » DAZED DIGITAL

about 5 months ago (12/15/2023)

Visit a new exhibition shedding light on man of mystery, Martin Margiela | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Fashion Round-up …plus all the other fashion news you missed this week, from a new Balenciaga video game to Robyn Lynch’s London exhibition, and Entire Studios’ Selfridges pop-up 15 December 2023 Text Dominic Cadogan Margiela: In the Void 12 Martin Margiela is as much of an enigma today as he was while at the helm of the brand – which he stepped away from in 2009...

© » ROYAL ACADEMY

about 5 months ago (12/12/2023)

Start here: Impressionists on Paper | Blog | Royal Academy of Arts Edgar Degas, Dancers on a Bench, c.1898 (detail)...

© » WALLPAPER*

about 5 months ago (12/11/2023)

Sotto Negroni bar in Manhattan will make you return for more | Wallpaper (Image credit: Photography: William Laird...

© » THEARTNEWSPER

about 5 months ago (12/09/2023)

In pictures: focus on Caribbean artists Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: focus on Caribbean artists María Elena Ortiz, curator at the Modern Art Museum of Fort Worth, picks her favourite works at Art Basel in Miami Beach Alexander Morrison 9 December 2023 Share April Bey, COLONIAL SWAG: Not Conceited, CONVINCED! (2023) © Liliana Mora María Elena Ortiz is a trailblazing curator at the Modern Art Museum of Fort Worth (the Modern), but she also has close ties to South Florida...

© » IGNANT

about 5 months ago (12/06/2023)

Introducing The Second Ignant Shop Product: A Room Scent Created With AOIRO - IGNANT Name AOIRO Images Clemens Poloczek Words Anna Dorothea Ker Crafted with olfactory design studio AOIRO , the limited-edition Ignant Scent translates the visual world of Ignant into a singular olfactory experience...

© » ARTSY

about 5 months ago (12/05/2023)

Lee Miller’s Surrealist, Photographic Legacy Comes into Focus after Years of Being Sidelined | Artsy Skip to Main Content Advertisement Art Lee Miller’s Surrealist, Photographic Legacy Comes into Focus after Years of Being Sidelined Maxwell Rabb Dec 5, 2023 2:17PM Lee Miller, Self portrait with headband, Lee Miller Studios Inc., New York, USA, c...

© » MODERN MET ART

about 5 months ago (12/02/2023)

Stan Squirewell's Mixed-Media Collages Give a Fresh Perspective on the Past Home / Art Vibrant Mixed-Media Collages Give a Fresh Perspective on African American Ancestry By Jessica Stewart on December 2, 2023 “Mrs...

© » 1854 PHOTOGRAPHY

about 6 months ago (11/20/2023)

Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...

© » ARTOMITY

about 6 months ago (11/01/2023)

Asia Art Archive annual fundraiser auction – ARTOMITY 藝源 aaa2023auction.com Asia Art Archive (AAA)’s 2023 Annual Fundraiser features an auction of over 55 works, generously donated by artists, galleries, and individuals...

© » TATE EXHIBITIONS

about 6 months ago (10/27/2023)

Long Life, Low Energy: Designing for a Circular Economy | Tate Liverpool An exhibition from the Royal Institute of British Architects about the climate emergency and its relation to architecture Tate Liverpool and the Royal Institute of British Architects (RIBA) are forming a new partnership on Liverpool’s waterfront...

© » ARRESTED MOTION

about 8 months ago (09/20/2023)

Preview/Art Focus: Futura – ‘Breaking Out’ @ University of Buffalo « Arrested Motion Retrospectives are rarely as overdue as the one opening on Saturday at the University of Buffalo Art Galleries ...

© » PIER 24

about 15 months ago (01/28/2023)

Pier 24 Pilara Foundation Changing Philanthropic Focus - Pier 24 Pilara Foundation Changing Philanthropic Focus January 28, 2023 Chris McCaw, Sunburned GSP#455 (San Francisco) , 2010...

© » LARRY'S LIST

about 19 months ago (10/10/2022)

This emerging buyer class was a focus of Jenny Guo’s talk at the Digital Art Collector Summit presented by Larry’s List, at which she......

© » LARRY'S LIST

about 19 months ago (10/05/2022)

With their collection and related activities, the couple are bringing new definition to the role of the contemporary collector....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

One of Poland’s Top Collectors Will Auction 200 Works to Fund Her Private Museum and Expand Her Focus on Women - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Carl and Marilynn Thoma Are Unafraid to Buy—and Conserve—Art That’s Tough to Care For - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Eugenio López Alonso divides his time between Los Angeles and Mexico, filling both homes with paintings and sculpture....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Arts patron, collector and educator Bernard Lumpkin opens his New York home to Cultured to reveal a personal collection committed to emerging and established artists of African descent, one that is also the focus of book, Young, Gifted and Black: A New Generation of Artists....

© » ARTS EQUATOR

about 20 months ago (09/20/2022)

“It Has Been Dreamed”: Kiri Dalena on documenta fifteen | ArtsEquator Skip to content Kiri Dalena, one of the artists at the controversy-ridden documenta fifteen speaks with Pristine De Leon about the uneven dynamics between global exchanges and local needs, between lumbung and rigid hierarchies, between what has materialised and what was dreamed...

© » ARTS EQUATOR

about 27 months ago (02/13/2022)

The Maker’s Project: What does it take to sustain the puppeteer? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of The Finger Players February 13, 2022 By Janice Yap (1,200 words, 6-minute read) What would it look like if makers had the space and time to reflect, research and incubate outside of working on a production? What benefits would it reap for this generation of puppeteers, and for the ones to come?...

© » HIGH FRUCTOSE

about 52 months ago (01/29/2020)

Reza Bahmani's oil paintings, with each's distinctive texture and scale, carry a distinct intimacy...

© » HIGH FRUCTOSE

about 53 months ago (12/23/2019)

Brian Tolle's startling sculptures are said to be a dialogue between "history and context." His ability to manipulate what appear to be the most stubborn of structures is more than just a clever use of materials such as styrofoam and urethane (as is th case in the top piece, "Eureka.") Tolle forces us to consider our own relationship with the materials around us....

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about 3 months ago (02/12/2024)

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about 78 months ago (12/09/2017)

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about 139 months ago (11/21/2012)

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about 156 months ago (07/23/2011)

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about 235 months ago (01/09/2005)